Doritos ‘The Red’ +commercial

In 2008, Doritos held a nationwide Superbowl commercial competition so I created three commercial entries of all different styles. Check out the other two spots, First Date and The Breakroom and read more about the making of here.

A lavish couple dines in complete decadence.

Client: Doritos
Title: ‘The Red’
Length: :30
Director: Chris Yi
Writers: Chris Yi and Jesse Epstein
Producer: Jenny Ahn
Cinematographer: Matt Bass
Crew: Britt Brzoza, Emi Grannis, Kassie Funcell, and Noel Diaz de Rivera

‘Sir Snob’: Art Oden
‘Lady Snob’: Rhoda Baldwin-Bishop
‘Server Snob’: Doug Hammond

Doritos ‘First Date’ +commercial

In 2008, Doritos held a nationwide Superbowl commercial competition so I created three commercial entries of all different styles. Check out the other two spots, The Red and The Breakroom and read more about the making of here.

After a not-so-successful night, Doris tries to let her date down gently…not-so-successfully.

Client: Doritos
Title: ‘First Date’
Length: :30
Director: Chris Yi
Writers: Chris Yi and Jesse Epstein
Producer: Jenny Ahn
Cinematographer: Matt Bass
Crew: Britt Brzoza, Casey Levantal, Kassie Funcell, and Noel Diaz de Rivera.

“Doris”: Jennie Taber

Doritos ‘The Breakroom’ +commercial

In 2008, Doritos held a nationwide Superbowl commercial competition so I created three commercial entries of all different styles. Check out the other two spots, The Red and First Date and read more about the making of here.

Three co-workers decide that Pete really needs to know.

Client: Doritos
Title: ‘The Breakroom’
Length: :30
Director: Chris Yi
Writers: Chris Yi and Jesse Epstein
Producer: Jenny Ahn
Cinematographer: Matt Bass
Crew: Britt Brzoza, Casey Levantal, Kassie Funcell, and Noel Diaz de Rivera

“Earl”: Earl Skakler
“David”: David Choi
“Chris”: Chris Mathieu
“Pete”: Ian Pfister

Director Spotlight: the beautifully unsettling work of Christian Simmons

I first came across Christian Simmons work when I was checking out some of the competition for the Doritos Superbowl contest. There were over 1,700 entries submitted and believe it or not, me and my creative partner saw nearly every single one.

Most of them were flat-out horrible (just trust me on this) but out of the 30 or so that were contenders, there was one commercial that really stood out to me: Christian Simmons’ “Birds of a Feather”

doritos-birds-of-a-feather
Birds of a Feather, just don’t call him boring.

The rest of the competition seemed like stereotypical, in-your-face Superbowl fare. But “Birds of a Feather” felt different, it had a strange style to it that seemed slightly “off”…in a good way. Continue reading

How EA Sports turned a glitch into a grace (by walking on water)


Tiger gets ready to make a miracle happen.

A few weeks ago I discussed the whole Bike Hero controversy that left a lot of the Youtube crowd with a bad taste in their mouths. A lot of people felt that they were being manipulated by the ad agency, not respected. So I got to thinking, on the flip side, what brand’s have been able to speak to the online community and successfully gain their respect?

The first example that came to my mind was EA Sports with their video game Tiger Woods PGA Tour 08. Continue reading

7 Tips on Becoming a Commercial Director, by Adam Witten

This is a guest post from Adam Witten, a talented commercial director represented by The Insanity Corp. based out in NYC.  After seeing my post on 6 Mistakes to Avoid When Directing a Spec Commercial, he wanted to add on with his own tips on making it in this industry.


from Scion: BOXHEAD, directed by Adam Witten

1. Don’t write your own spots.

Even if you think you are the best copywriter in the world, at best you get a good spot but at worse you write a bad spot and no one is there to tell you as much, not to mention you lost an opportunity to meet and work with real agency folk.

Copywriters have whole drawers of dead scripts that the client killed. Many are great and just not want the client wanted that very moment. The creatives want to see this stuff made as much as you and if you are offering to pay for it most of the time they are happy as a pig in shit. Continue reading

6 Mistakes to Avoid When Directing a Spec Commercial

Ah, the good ol’ “Spec Commercial”  If you’re a filmmaker looking to break into commercial directing, you’re gonna need a few of these on your reel.  A spec commercial is simply a “fake” commercial that a filmmaker makes to show ad agencies and companies that he’s worthy of hiring.

Needless to say, if you want to be taken seriously as a director, your spec commercials better look as close to the real thing as possible!

After years of watching many many (mostly horrible) spec commercials and having just recently finished 3 (hopefully not so horrible) specs of my own, I’ve noticed an interesting trend: Most filmmakers have no idea how to make a commercial.

Now there’s a ton of great filmmakers out there, but without any advertising experience, their spec commercials usually end up feeling like specs and not like the real thing. Continue reading